Solo consists of presets that use just one FX section (if you just need to use a simple chorus or phaser for instance). Crafted by a party of producers and sound designers, these presets are carefully assigned to categories that describe how they’re made.
#ORBITRON PLUGIN SERIES#
To get a handle on just how massively impactful Orbitron can be, cycling through the series of effect and orbit-presets lays bare several characterful aural cocktails. Lets you morph between two sound sources, with similarly organic-sounding end results
#ORBITRON PLUGIN SOFTWARE#
On a technical level, CPU-lag isn’t detectable, even considering that, when bypassed, the effects remain in sync with each other (with the software keeping a clever eye on performance drain).Īll manner of versatile modulations effects can be easily chained, for blended, colourful sonics
Each also has its own X/Y circle, if you want to set amount-defining orbits per-effect.Īs with any plugin that promises infinite possibilities, the end results are hugely variable, though by and large, each effect-soaked sound, from synth sounds and guitar lines to off-the-wall vocal performances, feels immediately more ‘alive’ as the audio makes its gradual rounds between the quadrants. Amongst the usual effect suspects, you'll find Infinite Combs, which can conjure an animated infinite rise and decline of pitch, Kinetic Resonator and Chaos Vortex, whose names describe what they do pretty succinctly, while Space Time is a particularly cool audio-mangler, feeding in a series of quirky, sci-fi-sounding delay lines.Įach of the FX quadrants is equipped with Depth, Rate and Width knobs, as well as bespoke sliders which vary depending on the effect selected, for specific adjustments.
Onto the effects themselves, which are largely superb. Playing with the three dice icons in the top right of the UI generates more unpredictable changes to your setup. It’s also possible of course to override the entire orbiting concept, and simply use any of the (pretty top tier) effects individually.
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